Check out the new Craft Alliance video on the Delmar Loop You Tube Channel. Thanks for yet another great production Andrew Baumgartner and the Vital Voice!
Wednesday, July 21, 2010
Saturday, July 3, 2010
Artist in Residence Rachel Akin

Rachel received her BFA from the Kansas City Art Institute in 1999 and MFA from Ohio University in 2006. Recently, she was a resident artist at Red Star Studios Ceramic Center in Kansas City where she was also a gallery assistant.
How many years have you been a ceramic artist?
I have been working in clay for 16 years. I am drawn to the seductive qualities of the smooth, creamy texture of the clay. I create soft, curvaceous forms on the potter’s wheel or by hand. The silhouettes of these forms are accentuated through surface decoration and soothing colored glazes.
Describe the work you are making or hope to make during your time at Craft Alliance:
During my residency, I hope to continue working on my functional porcelain vessels. I see this as a opportunity to fine tune my work as well as having the time to develop new forms that I haven't attempted before.
What inspires your work?

My work is inspired from a variety of sources. I enjoy investigating historical ceramics, especially Chinese Sung dynasty vessels. I am also drawn to Venetian and Depression glass forms and surfaces. Fashion and the female form also inspire me. My work has a distinct feminine silhouette and I embellish my forms with beads of porcelain and ruffled edges to emulate a strand of pearls or decorative fabric.
Be sure to stop by our Grand Center location and check out the Artist-in-Residence studios!
Wednesday, June 30, 2010
Artist in Residence Mindy Sue Wittock

"Treats like cupcakes, candies, and pastries are naturally related to human emotion. They are brought to birthdays, weddings, and to close friends who just went through a trying time; they are tied to celebrations and comfort. A delicious confection can make us feel elated, if only for a minute, it’s a minutes of pure sweetness."

I started working in fibers as an undergraduate student in 2002 and have continued my research and exploration with the medium into the present day. I really enjoy creating objects with stitching and stuffing and embellishing.
Describe the work you are making or hope to make during your time at CA:
I am working on an installation that Hello Kitty would want to hang out in. A space that is reminiscent of a cross between Munchkin Land and Willy Wonka's chocolate factory. Sweet and edible looking, with large bush like structures and hanging smelling good pieces!
What inspires your work?
My inspiration comes from vintage cookbooks and Martha Stewart, as well as from fictitious icons such as Willy Wonka, Mary Poppins and Hello Kitty. I think a lot about what made me happy as a child when I make my artwork, and the imaginary games I played with my best friend and brother and sister.
Sunday, June 27, 2010
Artist in Residence Gwen Oulman-Brennan

Gwen Oulman-Brennan earned a BFA at the University of Iowa in painting in 1998. After moving to St. Louis she studied Painting at Fontbonne University where she earned an MFA in 2006. As the subject of Gwen’s work became less about the imagery and increasingly more about the materials she was using in her paintings she began to explore small metalwork. Her painting materials ranged from concrete and metal to silk and glycerin. Her instructors at Craft Alliance opened the door to working with metal which inspired her to apply to graduate school to further study Jewelry + Metalsmithing. Gwen completed her masters degree at the Rhode Island School of Design in the spring of 2009.
Some of her recent work explores the act of breathing. Some of her pieces inflate by breathing into them, others explore the aesthetics of the air-flow in and out of our bodies. We recently did a quick interview with her!

I can't remember a time that I wasn't a maker. I have moved and continue to move between 2D and 3D mediums. It was more than fifteen years ago that I took my first jewelry and metals class, a lost wax casting course. Over the years I came to think of myself primarily as a painter. It was five years ago as I was finishing my MFA in Painting that I noticed my interests shifting away from the imagery and towards the materials. It was around this time that I began taking classes at Craft Alliance. These classes would eventually lead to me to return to school to study jewelry and metalsmithing at the Rhode Island School of Design. A metal artist , maybe only for the last three years but my work is informed by a lifetime of making and material exploration.
Describe the work you are making or hope to make during your time at Craft Alliance:
While in Rhode Island my work focused on breath. I focused on making visual the intimate and communal act of taking air into our bodies and releasing it. The concept I start with is really just that - a starting place - a way to ground my work- parameters in which to create around.
In these first few weeks at Craft Alliance I have begun a new exploration - one of a kind knots and tangles. The pieces I have begun are carvings of shoes strings in bone. I plan to spend these next few months exploring knots through materials like stone, metal, and bone.
I am also continuing a small production line of jewelry that I designed highlighting the facets of a gemstone. By making wax impressions of gemstones I've created "settings" of the absent stone.
What inspires your work?
I am inspired by the everyday and familiar. By exploring an idea over time and through a variety of materials I discover unexpected and new connections that continue to fuel my work. It is these material discoveries and synthesizing of ideas that continue to inspire me.
Wednesday, June 9, 2010
Interview with Kahlil Irving

How did you get involved in Crafting-A-Future?
Well, I got involved in Crafting-A-future when Leslie Silverstein came to my high school to put up a mural the students created in some of the upper-level art classes. I was told to apply and then on I have been participating in the program.
What do you love the most about working with clay?
Working with clay is like anything else I have come in contact with, something I need to evaluate and become comfortable with. I have realized through practice I can become better or more knowledgeable about something and clay is amazingly responsive to my practice to the amount of time I have put into learning about it. The response and results that I get are the reasons why I enjoying working with the material.

Where do you go for inspiration?
Inspiration comes from what I see around me. It comes from what I see and feel everyday. My past and the world's past are my biggest influences. Like ancient ceramics from Asia, the studio artists in the Craft Alliance clay studio, and artists/potters that I meet.
What was the best part of being in the Crafting-A-Future program?
The best part of participating in Crafting-A-Future is all of the opportunities I have gotten. The pot sales, volunteering, meeting many different people, all contribute to the great experience I have had.
Do you have any advice for any up and coming Artists?
My advice isnt just to young artists, its to anyone and everyone that will listen and try to understand it. The world we live in is larger than we know. Deep mental and emotional realms exist. If there is anything anyone can do is see all that they can see and try to make the best of every oppurtunity they get to do whats best for themselves and others. Follow your heart and reason with your mind, life will all unfold.

Tuesday, June 8, 2010
Craft Alliance Gala was ARTrageous!






Saturday, May 22, 2010
Portrayal of Another

Opening the same night as Setting The Mood: The Arful Table was Benjie Heu's solo ceramic exhibit: Portrayal of Another. This talented local artist's sculptural work hangs from our walls in the Charak Gallery.
The pieces presented are a narrative of the evolving hero and his many trials and tribulations. The hero's journey is a voyage of self-discovery, an expedition whose true destination is the realm within each of us, where we must find our own unique center with all its strengths and weaknesses. The journey is not just physical, but a spiritual one, as the hero evolves from ignorance and innocence to experience and enlightenment. The most outlandish adventures are accounted with an eye fixed on the bare essentials. Battles against time, against the obstacles that prevent the fulfillment of desire or the repossession of something cherished but lost are themes that provoke me. Revealing truth and humor in the face of horror and the seemingly absurd is my answer. - Benjie Heu
Setting The Mood

Friday night was the opening for Setting The Mood: The Artful Table juried by Bruce Hoffman, Director of Snyderman - Works Gallery in Philadelphia. Of the more than 120 entries, Hoffman accepted 50 pieces to be included in the exhibition. 15 local artists were chosen for the show including John Baltrushunas, Clinton L. Berry, Matt Keim, Kitty Mollman and many more! Unfortunately Bruce could not make it to the opening but many of the artists did! The show is up through July 11th in our Delmar Whitaker Gallery.
When Craft Alliance asked me to jury Setting the Mood: The Artful Table, I immediately said yes. Viewing the submissions was like looking at photos of old friends. The functional world has somewhat escaped me the past few years, and it was a joy to meander through the images of cups, bowls, platters and serving utensils. I hope this exhibition inspires everyone to throw a dinner party, pull out the family heirlooms, or better yet find a craftsman you love and commission something that your grandchildren will remember as fondly as your grandmother’s warm hug. -Bruce Hoffman



Tuesday, May 18, 2010
Fun For All!
We recently held the Crafting-A-Future opening the same night of our Friday Fun-For-All!
The friends and family of our Crafting-A-Future students stopped by for the opening of their end-of-year exhibit featuring the work they have created in the classes at Craft Alliance! They are all such talented emerging artists!
Later in the night, our studios were filled with budding artists as they learned new skills! Enameled copper pendants, glass beads, clay pots and more were made with the help of our accomplished teachers during the Fun-for-All. It was quite a fun filled night! Despite a looming storm, so many people came out to make art!
The friends and family of our Crafting-A-Future students stopped by for the opening of their end-of-year exhibit featuring the work they have created in the classes at Craft Alliance! They are all such talented emerging artists!
Later in the night, our studios were filled with budding artists as they learned new skills! Enameled copper pendants, glass beads, clay pots and more were made with the help of our accomplished teachers during the Fun-for-All. It was quite a fun filled night! Despite a looming storm, so many people came out to make art!
Wednesday, May 5, 2010
Interview with Michelle Hamilton

Our Mother's Day Trunk Show in the Gallery Shop includes the work from local ceramic artist Michelle Hamilton! Her Spring inspired pieces are colorful and functional! I love her nestled bowls! They are the perfect size for dipping sauces!
During her visit, Michelle agreed to answer a few questions for us!
Tell us about your process:

My Work is wheel thrown cone 10 porcelain. It is multi-fired in an electric kiln. The imagery comes from two sources. The flowers are photographs from my garden. The birds and french posters are book images from the 1800's. All imagery is manipulated using Photoshop and printed using a fireable decal process.
What is the inspiration for your work?
My number one source of inspiration is photographs of my garden and the orchid show at the Missouri Botanical Garden. My photographs are integrated into two different series. My functional line combines my love of bright colors with the simple act of using a piece of art in your everyday life. My large Urn series also utilizes multi-layered botanical imagery but combines it with classic forms and the occasional tongue and cheek look at life.
What do you love most about working with clay?
It depends on the day or where I am at in the creative process. I love to throw and honestly think that a freshly thrown piece is at its most beautiful state. I love to glaze. Anticipating the energy that color can bring can be a thrill. Finally, using one of my pieces or better yet a piece from a friend or admired artist. Functional clay art just makes food taste better!
Do you have and advice for budding ceramic artists?
Listen carefully to the masters. Read about processes and look at other work. Then go to the studio shut the door and create what makes you happy.
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